Language

animation courses

Program VII: predstavitve studiev Opificio Ciclope in Basmati a. c. / Programme VII: Studios presentation Opificio Ciclope and Basmati a.c.


Zbornični filmi / Pellicole da Camera / Chamber’s films

Saul Saguatti, Andrea Martignoni (Basmati a.c.)
Italija/Italy, 2010, Beta SP, 27’30’’


Dokumentarni film o zgodovini italijanskega animiranega filma brez kamere med letoma 1978 in 2010.


Documentary about the history of cameraless animation in Italy from 1978 to 2010.


EIFù

Silvia Calcagno, Tommaso Cerasuolo, Cinzia Di Felice
Italija/Italy, 1994, 35 mm, 3'45''


Film Eifù v štirih minutah pove zgodbo o človeku, od njegovega življenja do smrti. Življenje, odraščanje, izobraževanje, vojna, bolečina in trpljenje, ljubezen, življenje in izguba ljubezni, starost; vse se pomeša v animacijo, ki se konča v hitrem tempu zaključka, polnega halucinacijskih spominov. V filmu ne manjka barv, ki predstavljajo tako sladkosti kot nasilje.


Eifù is telling the story of a man from his birth until his death, in four minutes. Life, growth, education, war, pain and suffering, love, life and loss of love, old age: everything is mixed in the animation which ends with a fast final part full of hallucynated memories. The movie is full of colours representing sweetness and also violence.


Zlato tele / Il vitello d'oro / The Golden Calf

Alvise Renzini (Opificio Ciclope)
Italija/Italy, 2000, Beta SP, 4'30''


Film obuja biblijsko zgodbo o kultu zlatega teleta, lažnega božanstva, maske, ki je z malikovanjem ljudi zakrila obličje pravega boga.


Inspired by the biblical story “The Golden Calf”, a false divinity, a mask placed over the face of the true god by the idolatry of the people, the film evokes the story of that cult.


Life from Pluto

Saul Saguatti (Opificio Ciclope)
Italija/Italy, 2000, Beta SP, 7'20''


Abstraktno delo, ki ponazarja osvoboditev od elektromagnetnih valov v vakuumu. Pobegle kompozicijske linije in geometrične oblike v prostoru, daleč od kakršnekoli znane oblike.


Abstract work reproducing disentanglement from electromagnetic waves in vacuum. Composition offlines and geometric forms in a space far from all known forms.


Veliki anarh / Grande Anarca / Great Anarch

Alvise Renzini (Opificio Ciclope)
Italija/Italy, 2003, Beta SP, 18'


Veliki anarh je posnet na več ravneh. Podobe v ozadju so narisane, fotografirane in projicirane kot diapozitivi ter kasneje posnete na filmski trak (35 mm). Vsaka sličica na filmskem traku je posebej poslikana in gravirana, digitalna postprodukcija pa pomeni zadnjo fazo obdelave. Film živo prikazuje genetski poskus, izveden v stanovanjskem bloku.


Grande Anarca is a made in successive levels. The background images were drawn, photographed and, subsequently, projected as slides; they were then shot in 35mm, so as to obtain the film which, frame after frame, would then be painted on and etched; digital post-production amounted to the final stage. It is a vivid account of a genetic experiment carried out in a block of flats.

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