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- Za 2 groš¡a fantazije
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Filmska retrospektiva in program Solweig von Kleist / Solweig von Kleist film retrospective and programme presentation
Kriminalni tango / Criminal Tango
Solweig von Kleist (FRL Productions)
Francija/France, 1985, 35 mm, 5’
Mož se v apokaliptični urbani pokrajini trudi ubežati svoji usodi. Animirani film v slogu filma noir.
A man trying to escape his destiny in front of an apocalyptic urban landscape. An animated version of "Film Noir" style.
Podzemlje / Underground
Steve Barron (EMI Records)
Velika Britanija/UK, 1986, DVD, 4’43’’
Približno 80-sekundna animirana scena iz spota Davida Bowieja, ustvarjena v tehniki praskanja na 35-milimetrski črn uvodnik in 35-milimetrski filmski trak s posnetimi prizori.
About 1 min 20 sec. animated sequence for the video clip of David Bowie. Scratched on 35 mm black leader and 35 mm live action film stock.
Vse teče / Panta Rhei / Everything Flows
Solweig von Kleist (FRL Productions)
Francija/France, 1992, 35 mm, 3’30’’
Osebna razmišljanja skakalca v vodo med skokom: refleksija o subjektivnem dojemanju časa in prostora v enem samem neprekinjenem posnetku. Vizualna pesnitev v treh obdobjih in treh potezah. Animacija v tehniki sličice za sličico, barva in svinčnik na papirju.
The inner vision of a high diver during his jump: a reflection about the subjective perception of time and space in a single continuous shot. A visual poem in three times and three movements. Animation image by image, paint and pencil on paper.
Roman moje duše / Le Roman de mon âme / Romance of the Heart
Solweig von Kleist (Folimage)
Francija/France, 1996, 35 mm, 6’20’’
Ženska lista dnevnik in v mislih se ji prebudijo poetične podobe njenega iskanja strasti in svobode v preteklosti. Animacija na celuloidu, barva in svinčnik.
A woman leafs through a diary evoking poetic images of her search for passion and liberty in a past life. Animation on cells, paint and pencil.
Napad jeze / The Big Snit
Richard Condie (ONF)
Kanada/Canada, 1985, 35 mm, 9’45’’
Ta prikupno prismojeni animirani film prinaša pogled na dva sočasna konflikta, makrokozmos svetovne jedrske vojne in mikrokozmos družinskega spora, ter način reševanja obeh. Zgodba, ki je upodobljena z veliko topline in norega humorja, dopušča številne interpretacije.
This wonderfully wacky animation film is a look at two simultaneous conflicts, the macrocosm of global nuclear war and the microcosm of a domestic quarrel, and how each conflict is resolved. Presented with warmth and unexpectedly off-the-wall humor, the film is open to a multitude of interpretations.
Daljni zahod: režiserjeva verzija / Far West: Director’s cut
Luis Nieto (Autourdeminuit Productions)
Francija/France, 2006, digiBeta, 4’
V puščavi nihče ne sliši tvojih krikov ...
In the desert no one can hear you scream …
Zločinec / Le criminel / The Criminal
Gianluigi Toccafondo, Simona Mulazzani (SEPT/ARTE)
Francija/France, 1993, 35 mm, 5’
Film, ki v širšem smislu predstavlja poklon filmu noir, predvsem pa filmu M Fritza Langa, je prvo delo, ki ga je Toccafondo po zaslugi programa finančne podpore Arte France ustvaril v Parizu.
Paying homage to film-noir in general and Fritz Lang’s M in particular, this film is the first work that Toccafondo did in Paris, thanks to the Arte France’s funding program.
Oče in hči / Father and Daughter
Michaël Dudok de Wit (Cloudrunner/CinéTé Filmproduktie)
Velika Britanija, Nizozemska / UK, The Netherlands, 2000, 35 mm, 8‘30‘‘
Oče se poslovi od mlade hčere in odide. Tako kot prostrane nizozemske pokrajine doživljajo svoje letne čase, dekle preživlja svoje. Postane ženska, si ustvari družino in se s časom postara, a v njej nenehno živi močno hrepenenje po očetu.
A father says goodbye to his young daughter and leaves. As the wide Dutch landscapes live through their seasons so the girl lives through hers. She becomes a young woman, has a family and in time she becomes old, yet within her there is always a deep longing for her father.
Blok / Block
Hieronym Neumann (Se-Ma-For Film Studio)
Poljska/Poland, 1982, 35 mm, 10’
Film o sodobni arhitekturi.
A film about modern building.
MUTO
Blu (Mercurio Film)
Italija/Italy, 2008, Beta SP, 7’
Dvoumna nadrealistična animacija, naslikana na mestne zidove Buenos Airesa in Badna.
An ambiguous surrealistic animation painted on public walls in Buenos Aires and Baden.
Nočni klub / Night Club
Jonathan Hodgson (RCA)
Velika Britanija/UK, 1983, Beta SP (16 mm), 6’02’’
Film, ki je nastal na osnovi v Liverpoolu narisanih skic pivskih klubov, raziskuje človekovo vedenje v družbi. Ob tem nakazuje osamljenost, ki jo doživljajo v množici izgubljeni posamezniki.
Based on sketches made in Liverpool of the drinking clubs the film observes human behavior in a social situation. Hinting at the loneliness felt by the individual lost in a crowd.
Koraki glasbe / Feet of Songs
Erica Russell (Malinka films)
Velika Britanija/UK, 1988, 35 mm, 5’27’’
Eksplozivna kombinacija grafike, zvoka in animacije, ki črpa iz afriških plesnih ritmov.
An explosive combination of graphics, sound and animation, based on African dance rhythms.
Igra / Jeu / Play
Georges Schwizgebel (Studio GDS/Television Suisse Romande/NFB)
Švica, Kanada/Switzerland, Canada, 2006, 35 mm, 3'50
Od podrobnega uvoda v začetek filma do strogega zapisa besede KONEC film z neprekinjenim tekom, polnim presenečenj, ustvarja čudovito vrtoglavo naglico. Besen dir proti končni negibnosti je metafora sodobnega nemira, ilustracija sveta, ustvarjena s sosledjem oblik, ki se ves čas izkrivljajo v vrteči se in igrivi koreografiji, da bi vedno znova prevarale naše čute.
From the detailed account announcing the beginning to the rigid appearance of the word END, Jeu provokes a magnificent vertigo with its uninterrupted running, full of surprises. A furious race towards final immobilisation, like a metaphor of modern restlessness, the illustration of a world resting on a succession of forms which become distorted to deceive the senses again and again in a pirouetting and playful choreography.
