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- Za 2 groš¡a fantazije
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Tekmovalni program IV / Competition programme IV
Nenavadni izum / Čudnovati izum / Strange Invention
Dino Krpan (Diedra)
Hrvaška/Croatia, 2010, digiBeta, 6’15’’
Nekoč, preden so izumili film in televizijo, je živel Izumitelj, ki ga je obsedla zamisel o gibljivih slikah na listu papirja.
Once upon a time, before film and TV were invented, there was an Inventor possessed by the idea of moving pictures on the piece of paper.
Pogoltniti krastačo / Norīt krupi / To Swallow a Toad
Jurgis Krasons (RijaFilms)
Latvija/Latvia, 2010, 35 mm, 9’
Nekoč so v malem mestu živeli "okrogli" intelektualci. Bili so bistri, prijazni in uspešni, to pa zato, ker so jedli krastače. V mestecu pa je živelo tudi nekaj "kvadratnih". Bili so pragmatični realisti in niso jedli krastač. Vsi skupaj so bivali v miru, dokler nekoč eden od "kvadratnih" ni odkril, da "okrogli" jedo krastače.
Once some “round” intellectuals lived in a small town. They were smart, kind and successful, because – they could swallow toads. But some that were “square” also lived in the town. They were pragmatic realists, and no toads were ever swallowed. They lived in peace until one day a “square” discovered that the “rounds” swallow toads.
Galerija / Galeria / The Gallery
Robert Proch (Academy of Fine Arts in Poznań)
Poljska/Poland, 2010, Beta SP, 4’45’’
Groteskna komedija o tem, kako prost dan postane delovni dan.
A grotesque comedy about how a day off becomes a working one.
Anna Blume
Vessela Dantcheva (Ebele Okoye/FINFILM)
Nemčija, Bolgarija/Germany, Bulgaria, 2009, 35 mm, 9’02’’
Anna Blume je vizualna pesnitev o poželenju moškega, ki lovi žensko. Zgodba opisuje potovanje v namišljenem svetu, ki ga narekuje um pesnika. Poželenje, zakrinkano v ljubezen, pripelje protagonista do konca, kjer se ljubezen izkaže za zelo samotno in tujo. Navdih za film je bila ljubezenska pesem Kurta Schwittersa iz leta 1919, An Anna Blume.
Anna Blume is a visual poetry about the lust of a man chasing a woman. The story takes on surreal journey dictated by the mind of the poet. Lust, disguised in love, drive the two characters to an end where love turns to be a very lonesome and strange place. The film is inspired by the love poem from 1919 "An Anna Blume" by Kurt Schwitters.
Duhovi obstajajo / Ci sono gli spiriti / There are spirits
Alvise Renzini (Opificio Ciclope)
Italija/Italy, 2009, digiBeta, 6’25’’
Prosta vizualna interpretacija sanj Carla Gustava Junga, ki se začnejo z vsakdanjim arhetipom: dom kot neraziskana enota. Jung vstopi v vrsto "skrivnih" prostorov: najprej v laboratorij, kjer njegov oče opravlja poskuse, nato v spalnico, kjer njegova mati lovi duhove. Tretji prostor je velika hotelska dvorana, kjer igra orkester.
A free visual interpretation of a Carl Gustav Jung’s dream that begins with a common archetype: home as an unexplored entity. Jung finds himself entering a series of "secret" rooms: first a laboratory where his father performs experiments. Then a bedroom where his mother attempts to capture spirits. The third is a big hotel's Hall, where an orchestra is playing.
Miramare
Michaela Müller (Academy of Fine Arts Zagreb/ Michaela Müller)
Hrvaška, Švica/Croatia, Switzerland, 2009, 35 mm, 8’
Pogled na življenje na mediteranskih mejah Evrope, kjer se sproščajo turisti, hkrati pa se "ilegalni" priseljenci borijo za priložnost za boljše življenje.
A look at life on the Mediterranean borders of Europe, where tourists try to relax at the same time as "illegal" immigrants struggle for a chance for a better life.
Laterarius
Marina Rosset (Marina Rosset/Télévision Suisse Romande)
Švica/Switzerland, 2010, 35 mm, 3’59’’
Moški spozna žensko ... Stvari se dobro odvijajo; tako dobro, da se naslednje jutro odloči, da ji bo zgradil ljubko hišo. Ona mu sledi.
A man meets a woman… Everything is going well, so well that the following morning he decides to go and build a lovely house for her. She follows him.
Balada / Ballada / Ballad
Joanna Jasińska Koronkiewicz (TV Studio of Animation Films)
Poljska/Poland, 2010, Beta SP, 3’30’’
Filmska miniatura, ki ji je bila v navdih Balada v f-molu op. 52 Frederica Chopina v vokalni izvedbi skupine Novi Singers.
V prazni sceni se pojavi temna silhueta moškega. Čaka. Ko se znoči, ON izgine. Pojavi se bela silhueta ženske. Tudi ONA pričakujoče čaka. Ko nekoč oba ostaneta dlje kot ponavadi, se prvič srečata.
Film miniature inspired by a vocal performance of Frederic Chopin’s Ballad in f minor op. 52 by Novi Singers.
A dark silhouette of a man appears in the empty space of the frame. He waits. When the night comes, HE disappears. A white silhouette of a woman appears. SHE too waits expectantly. When finally they wait longer than usual, they meet for the first time.
Mesarjev žepni radio / A hentes zsebrádiója / The Butcher’s Pocket Radio
Gabor Ulrich (Kecskemétfilm Ltd.)
Madžarska/Hungary, 2010, Beta SP, 6’35’’
Meso mi je v krvi. Že kot otrok sem hotel postati mesar, v vrtcu je bila mesarska sekira moj zaščitni znak. Nož lahko držim z mezincem. Pa nisem nevaren človek, rad imam svoje starše. In jem zmerno, zato se nisem zredil tako kot večina mesarjev. Samo malo sem trebušast, kar pa je mojemu dekletu tako ali tako všeč.
Meat is in my blood. Even as a young child I wanted to be a butcher, in kindergarten the meat cleaver was my sign. I can wield the knife with my pinky finger. Not that I’m a dangerous man, I love my parents. And I show moderation when I eat, which is why I didn’t get fat like most butchers, just got a little potbelly, which my girlfriend likes anyway
Extrospekcja
Stephanie Sergeant (The Academy of Fine Arts in Cracow)
Poljska/Poland, 2009, Beta SP, 4’10’’
Sprehodimo se po Krakovu.
Let's go for a walk in Cracow.
Zadnja minuta / Last Minute
Špela Čadež (Špela Čadež)
Slovenija, Nemčija/Slovenia, Germany, 2010, 35 mm, 1’51’’
Kreda lovi senco. Ko jo ujame, ostanejo le sledovi njune igre.
A chalk is running after the shade. After catching it, only the traces of their game remain.
Ženska / Žena / The Woman
Ondřej Fleislebr (Film School Zlin)
Češka/Czech Republic, 2009, digiBeta, 10’14’’
S pomočjo kamere, ki v animacijah posname okno za oknom, lahko pogledamo v notranjost čudaškega stanovanja z vegastim pohištvom, v ambient, ki diha v slogu začetka dvajsetega stoletja. V njem so štiri bitja, ki morajo za svojega lastnika najti način, kako naj, vsaj za trenutek, spet sreča svojo ljubljeno Žensko.
By means of camera that in each animation records window by window, we can look inside the quizzical flat with flexuous furniture, an interior that pulsates with the beginning of the twenties century. In its internals there are four creatures, being sent by its owner to find the way how to re-converge, at least for a moment, with his beloved Woman.
