HerStory III: Got to Be Real
The presented programme consists of four parts, bound by the concept of “HerStory”. The programme Got to Be Real is focused on self-exploration of identities and seemingly mundane, daily situations experienced by women of any color or sexual orientation.
During a PowerPoint presentation, statistical diagrams are breaking free from the straitjackets of their coordinates. A trip into the sensual world of statistics begins. Pie charts are melting, arrow diagrams twisting, scatter plots, bar graphs and stock market curves join in a collective climax.
A powerful animated short about the strength and courage of immigrants crossing into the United States to find a better life.
Vida is a young Iranian lifeguard. She is determined to participate in an international competition. But when Sareh, who is very talented, joins the team, everything changes.
The idea of beauty has become globalised, creating homogenous aspirations, and distorting people’s self-image across the planet. In her film, the author focuses on African women’s self-image, through memories and interviews; using mixed media to describe this almost schizophrenic self-visualization that she and many others have grown up with.
A young woman comes back home. She gets undressed, puts on her swimsuit, and sinks into the underwater depths of her apartment. Overcome by a baroque aquatic flora, her home has become the ecosystem of her spouse: an octopus.
In another episode of her comedic series about ordinary queer people and their everyday troubles, Kate Jessop takes on nuisances widespread inside the community. How will a date between two girls go when they start arguing who’s queerer?
After facing herself deeply buried in her memories, a many-faced woman Ava comes to the realisation that we need to evolve beyond the social expectations.
“Dear Daniil, love has no name, is that not so? I enjoyed every minute we spent apart, but engagements are off. See you later, Petra”
The protagonist of the film is a woman who trips and falls, while rushing around the house. She gets up, only to discover that her home has unusual features – it is built from paradoxes, filled with illusions and covered with patterns.
HerStory III: Got to Be Real
The presented programme consists of four parts, bound by the concept of “HerStory”. The programme Got to Be Real is focused on self-exploration of identities and seemingly mundane, daily situations experienced by women of any color or sexual orientation.
During a PowerPoint presentation, statistical diagrams are breaking free from the straitjackets of their coordinates. A trip into the sensual world of statistics begins. Pie charts are melting, arrow diagrams twisting, scatter plots, bar graphs and stock market curves join in a collective climax.
A powerful animated short about the strength and courage of immigrants crossing into the United States to find a better life.
Vida is a young Iranian lifeguard. She is determined to participate in an international competition. But when Sareh, who is very talented, joins the team, everything changes.
The idea of beauty has become globalised, creating homogenous aspirations, and distorting people’s self-image across the planet. In her film, the author focuses on African women’s self-image, through memories and interviews; using mixed media to describe this almost schizophrenic self-visualization that she and many others have grown up with.
A young woman comes back home. She gets undressed, puts on her swimsuit, and sinks into the underwater depths of her apartment. Overcome by a baroque aquatic flora, her home has become the ecosystem of her spouse: an octopus.
In another episode of her comedic series about ordinary queer people and their everyday troubles, Kate Jessop takes on nuisances widespread inside the community. How will a date between two girls go when they start arguing who’s queerer?
After facing herself deeply buried in her memories, a many-faced woman Ava comes to the realisation that we need to evolve beyond the social expectations.
“Dear Daniil, love has no name, is that not so? I enjoyed every minute we spent apart, but engagements are off. See you later, Petra”
The protagonist of the film is a woman who trips and falls, while rushing around the house. She gets up, only to discover that her home has unusual features – it is built from paradoxes, filled with illusions and covered with patterns.