![](\"https:\/\/animateka.filmchief.com\/f\/files\/Stop_still_001.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tStop! \/ Stop!<\/h2>
Brina Fekonja (University of Nova Gorica, School of Arts)<\/br>Slovenia, 2025, 2'20''<\/br>
I took the painting The Painter<\/i> by Marlene Dumas as the starting point for my work. Sometimes my thoughts buzz. The physical act of creation can empty the mind and help me embody myself. Unfortunately, this does not change reality.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Utopian symbolic playgrounds from memories are interconnected through sharp, flickering lights.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t A cat takes flight, the storm ignites... Shapes flutter back and forth, crisscrossing and mingling.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t A short film that depicts a metamorphosis from \u201cchicken\u201d to \u201celephant\u201d: animation enables metamorphosis precisely because it realizes a transformation from image to concept. The film employs an experimental collaborative approach to initiate a visual discussion between images, concepts, and intersubjectivity.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Earth Mothers<\/em> is an emotional and wild journey through the immense power and delicate beauty of nature, where two women, embodying water and earth, weave through an endless dance. They seek each other inside a magical house, reflection of the eternal and ever-changing spirit of Nature.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t From the depths of Pirandello's sulphur mines begins a dreamlike journey into the recesses of the human soul. An arcane Sicily inhabited by animal, human and natural presences and ancestral litanies, balanced between appearance and reality.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t In the void of night, a hungry creature looks for food and perpetuates an everyday cycle.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t On a school trip to Italy, three school friends share a bedroom in a convent.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t The animated documentary follows a girl confronting objectification. Collages from magazines, diary sketches, and imprints on the skin reveal how societal pressure takes hold early. Where does innocence end, and where do remarks begin that can lead to sexual violence?\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t The stories and silences of mothers are often handed down, generation after generation.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t During a visit to a zoo, our gaze lingers on the last silhouettes and stories that still inhabit the place.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t A seemingly harmless prank turns into a wild nightmare involving spiders.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t [vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]A competition strand reserved for students of European universities. They are in the running for the Young Talent: Student Jury Award, presented jointly by the School of Arts (University of Nova Gorica), as well as the Academy of Fine […]<\/p>\n","protected":false},"author":83,"featured_media":26384,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26423"}],"collection":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/comments?post=26423"}],"version-history":[{"count":4,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26423\/revisions"}],"predecessor-version":[{"id":27331,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26423\/revisions\/27331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media\/26384"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media?parent=26423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/Lights%2C%20Haze_Tata%20Managadze_still01.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tRazpr\u0161ena svetloba \/ Lights, Haze<\/h2>
Tata Managadze (RE:Anima European Joint Master in Animation)<\/br>Georgia, Portugal, Finland, Belgium, 2025, 8'04''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/das_schwirrgewirr_still03.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tfrfolobocija \/ whirlwild<\/h2>
Stella Hood, Mascha Balura, G\u00fclberk Elif Bosgelmez (Kunsthochschule Kassel)<\/br>Germany, 2025, 1'08''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/01_TamingPhenomena.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tTaming Phenomena \/ Taming Phenomena<\/h2>
Shunyuan Yao (Estonian Academy of Arts)<\/br>Estonia, 2025, 9'56''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/%2811%29.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tMateri Zemlje \/ Earth Mothers<\/h2>
Anna Giulia Pricoco (ISIA Urbino)<\/br>Italy, 2025, 3'22''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/frame%201.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tTam je bila luna! \/ There was the Moon!<\/h2>
Simone Caramazza (Accademia di Belle Arti di Palermo)<\/br>Italy, 2025, 3'03''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/M%C3%83E%20DA%20MANH%C3%83_FINAL_2K-00_02_42_00-Quadro001%20%281%29.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tMati zore \/ Mother of Dawn<\/h2>
Clara Trevisan (RE:Anima European Joint Master in Animation)<\/br>Portugal, Belgium, Finland, Brazil, 2025, 8'09''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/JugementDernier_LittleSaints%281%29.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tPoslednja sodba \/ Little Saints<\/h2>
Cl\u00e9mence Taveau (La Poudri\u00e8re)<\/br>France, 2025, 4'07''<\/br>
\r\n\t
\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/motylova10.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tdroben film o posilstvu \/ tiny film about rape<\/h2>
Nebe Mot\u00fdlov\u00e1 (Academy of Performing Arts in Prague, Film and TV School)<\/br>Czech Republic, 2025, 9'09''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/LesFramboisesBlanches_WhiteRaspberries%20%282%29.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tBele maline \/ White Raspberries<\/h2>
Isidora Vuli\u0107 (La Poudri\u00e8re)<\/br>France, 2025, 3'57''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/v01.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tZootrope \/ Zootrope<\/h2>
Lena Martinez (Ecole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs, Animation)<\/br>France, 2025, 7'47''<\/br>
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\t\r\n![](\"https:\/\/animateka.filmchief.com\/f\/files\/MelitaSandrin_Arahnofobija_Still_02_High.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tArahnofobija \/ Arachnophobia<\/h2>
Melita Sandrin (University of Nova Gorica, School of Arts)<\/br>Slovenia, 2025, 2'49''<\/br>
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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"