{"id":26453,"date":"2025-11-10T14:55:48","date_gmt":"2025-11-10T13:55:48","guid":{"rendered":"https:\/\/www.animateka.si\/2025\/?page_id=26453"},"modified":"2025-11-14T11:19:20","modified_gmt":"2025-11-14T10:19:20","slug":"jurilicious-i","status":"publish","type":"page","link":"https:\/\/www.animateka.si\/2025\/en\/jurilicious-i\/","title":{"rendered":"Jurilicious I"},"content":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Spotlight on Chinese Female Animation Directors – Feinaki Beijing Animation Week Selection<\/strong><\/p>\n

Program curator: Yantong Zhu (festival director of Feinaki Beijing Animation Week)<\/p>\n

Observing the Chinese autonomous animation landscape over the past decade reveals a steady rise in the number of female directors. Animation is increasingly becoming a medium for women to express themselves. This program features eight films directed by women, selected from the award-winning films of past editions of Feinaki Beijing Animation Week. It may offer you a deeper insight into what Chinese women are experiencing and thinking about.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Lenght: 70′[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_btn title=”Slovenska kinoteka, 5\/12 at 15:00″ style=”classic” shape=”square” color=”black” size=”sm” align=”right” link=”|||”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\t\r\n

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\u0160\u010durek s \u010dlove\u0161kim obrazom \/ Cockroach with Human Faces<\/h2>
Yinxue Li (Academy of Arts & Design, Tsinghua University)<\/br>China, 2024, 7'10''<\/br>

Cockroach with Human Faces<\/i> is the director's undergraduate project. It's about the protagonist who breaks the legs of a creepy human-faced cockroach, only to be captured by the maddened crowd as a sacrifice to a new god at a grand festival never before seen in the desolate village.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Kite \/ Braided<\/h2>
Chenxi Zhang (California Institute of the Arts)<\/br>United States, China, 2023, 6'19''<\/br>

Mom always braided my hair so tautly that it carved a distinct path atop my head. But one day, she cut off the carefully braided hair. Along the path, I touched our unbreakable inner attachment and the journey of female growth we were both unprepared to face.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Pol jabolka \/ Half of an Apple<\/h2>
Xiaolin Zhou (Tama Art University)<\/br>Japan, 2020, 4'19''<\/br>

On a boring afternoon in December, Papa Bear washed an apple and cut it in half. Half to me and half to my twin sister. Neither of us likes the apple with a kitchen knife smell.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Njene besede \/ Words of Her<\/h2>
Charlene Xu (University of Southern California, School of Cinematic Arts)<\/br>United States, China, 2024, 9'30''<\/br>

A distressed woman's soliloquy. \u201cThat woman\" comes to her city for a short stay. Inexplicable sensations torment her mind and body like meiyu, so she sinks into the reeds that grow out of the wounds on her finger. This film exposes a young woman's meandering feelings about sex and motherhood in relation to her chaotic perception of time.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Gore\u010da soba \/ Burning Room<\/h2>
Xinyi Huang (Communication University of China)<\/br>China, 2024, 4'47''<\/br>

Mother and daughter, who live in the same room, spark a fire during their argument and eventually reach a settlement.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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\u0160ivanje ljubezni \/ Sewing Love<\/h2>
Yuan Xu (Tama Art University)<\/br>Japan, 2023, 8'36''<\/br>

In this film, two individuals with strong personalities, are ultimately driven to ruin by selfish possessiveness.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Poroka na kraju usmrtitve \/ Wedding on the Execution Ground<\/h2>
Zilai Feng (University of Southern California, School of Cinematic Arts)<\/br>United States, China, 2023, 13'25''<\/br>

After 40 years, a retired actress from the 1960s Chinese propaganda play Wedding on the Execution Ground<\/i>, decides to reunite with her first love, the lead actor from the play.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Votlina \/ Sliver Cave<\/h2>
Caibei Cai (Dongyu Culture Media)<\/br>China, 2022, 14'24''<\/br>

Stepping into a cave, the sight fluctuates by the firelight. Left to right, top to bottom. The same goes for the screen in front of you. It is a borderless tunnel, presenting domestication and desire.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Spotlight on Chinese Female Animation Directors – Feinaki Beijing Animation Week Selection Program curator: Yantong Zhu (festival director of Feinaki Beijing Animation Week) Observing the Chinese autonomous animation landscape over the past decade reveals a steady rise in the […]<\/p>\n","protected":false},"author":83,"featured_media":26382,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26453"}],"collection":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/comments?post=26453"}],"version-history":[{"count":3,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26453\/revisions"}],"predecessor-version":[{"id":27231,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26453\/revisions\/27231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media\/26382"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media?parent=26453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}