{"id":26459,"date":"2025-11-10T14:55:58","date_gmt":"2025-11-10T13:55:58","guid":{"rendered":"https:\/\/www.animateka.si\/2025\/?page_id=26459"},"modified":"2025-11-11T16:37:49","modified_gmt":"2025-11-11T15:37:49","slug":"jurilicious-ii","status":"publish","type":"page","link":"https:\/\/www.animateka.si\/2025\/en\/jurilicious-ii\/","title":{"rendered":"Jurilicious II"},"content":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;40px&#8221;][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h2|text_align:center&#8221; use_theme_fonts=&#8221;yes&#8221; link=&#8221;|||&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Alongside a selection of films by this year\u2019s artist-in-residence <strong>Pierre-Luc Granjon<\/strong>, who is joining us from France, the strand features films by the British artist <strong>Lizzy Hobbs<\/strong>, Canadian illustrator and animator <strong>Mich\u00e8le Lemieux<\/strong>, Argentinian filmmaker <strong>Juan Pablo Zaramella<\/strong>, and a programme of films by Chinese women filmmakers selected by <strong>Yantong Zhu<\/strong>, Festival Director of the Feinaki Beijing Animation Week.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Lenght: 75&#8242;[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_btn title=&#8221;Slovenska kinoteka, 5\/12 at 17:00&#8243; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;black&#8221; size=&#8221;sm&#8221; align=&#8221;right&#8221; link=&#8221;|||&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/01LeGrandAilleursEtLePetitIci_Still02-jpg-crdownload%20%281%29.jpg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Tu in veliki drugod \/ Here and the Great Elsewhere<\/h2><br>Mich\u00e8le Lemieux (National Film Board of Canada)<\/br>Canada, 2012, 14'42''<\/br><br><p><p>This abstract yet compelling philosophical tale uses the Alexe\u00efeff-Parker pinscreen as a metaphor for the particles that make up the universe. Through four&nbsp;tableaux that explore her character\u2019s thoughts, filmmaker Mich\u00e8le Lemieux takes a look at the profound reflections of this everyman, whose questions are part of humanity\u2019s eternal quest for meaning.\r\n<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/02TheEmperorNT.jpeg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Cesar \/ The Emperor<\/h2><br>Elizabeth Hobbs (Red Kite Animation)<\/br>United Kingdom, 2001, 4'20''<\/br><br><p><p>Comic colour capers as we learn the tabloid tale of Bonaparte and his not-so bony part. A sensual wash from Waterloo to auctioneers as his pickled portion goes under the hammer. History was never this persuasive. History was never this.\r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/03TheWitchesNT.jpeg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>\u010carovnice \/ The Witches<\/h2><br>Elizabeth Hobbs (Red Kite Productions for Cineworks)<\/br>United Kingdom, 2002, 6'30''<\/br><br><p><p>In 1590, the reigning monarch King James VI of Scotland was in danger of being toppled from his throne; due to the blight of witchcraft. In North Berwick, three fishwives \u2013 Margaret, Ina and Sandra \u2013 have good reason to believe that they might be targets of the King\u2019s witch hunt and so set about devising a plan to save themselves from the fearful witch-dooking apparatus.\r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/04SawneyBeaneNT.jpeg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Resni\u010dna zgodba Sawneyja Beana \/ The True Story of Sawney Beane<\/h2><br>Elizabeth Hobbs (National Film Board of Canada, Red Kite Productions)<\/br>United Kingdom, Canada, 2005, 10'38''<\/br><br><p><p>In 16th-century Scotland, young Sawney Beane yearns to itch and scratch and buccaneer. So he bids farewell to his parents and their life of honest toil. <i>The True Story of Sawney Beane<\/i> reveals what really happened to the infamous Scottish cannibal. Not only was he the vilest felon in the kingdom of King James VI, he was also a son, beloved of Betty.\r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/05Imperial_Provisor_Frombald_2.jpg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Cesarski provizor Frombald \/ Imperial Provisor Frombald<\/h2><br>Elizabeth Hobbs (Animate Projects for Random Acts)<\/br>United Kingdom, 2013, 4'20''<\/br><br><p><p>The true story of the first documented testimony of the exhumation of a suspected vampire, in Serbia, in 1725.\r\n  <\/p>\r\n<p>&nbsp;\r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/06_G-AAAHNT.jpeg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>G-AAAH \/ G-AAAH<\/h2><br>Elizabeth Hobbs (neodvisni)<\/br>United Kingdom, 2016, 1'25''<\/br><br><p><p>Amy Johnson worked as a typist for a firm of solicitors before her record-breaking solo flight from Croydon to Darwin, Australia in 1930. This animated film is a celebration of Amy Johnson and her journey. The number plate of her aeroplane was G-AAAH and the plane can still be seen in the Science Museum in London.\r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/07petiteEscapade.jpg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Mala dogodiv\u0161\u010dina \/ A Little Adventure<\/h2><br>Pierre-Luc Granjon (Folimage)<\/br>France, 2001, 5'39''<\/br><br><p><p>Perched on the top of a wall, a child who lives in the depths of a large forest observes people passing by on the sidewalk below. At the end of the day he heads home, smiling. He has his own very personal interpretation of his observations from high up on the wall. \r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/08_Chateau.jpg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Grad drugih otrok \/ The Other Kids' Castle<\/h2><br>Pierre-Luc Granjon (Folimage)<\/br>France, 2003, 5'38''<\/br><br><p><p>A group of pupils visits an immense castle. One of the children lingers a few seconds in front of a statue and gets split off from the rest of the group.\r\n  <\/p>\r\n<p>&nbsp;\r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/09challengeToDeath_2.jpg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Izziv smrti \/ The Challenge to Death<\/h2><br>Juan Pablo Zaramella (JPZ Studio)<\/br>Argentina, 2001, 3'30''<\/br><br><p><p>For the very first time in front of a camera, Fahaki Ayunanda introduces his whole body into a blender and assures that he will remain alive even after turning it on.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/10Asi-son-las-cosas.jpg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Stvar je taka \/ The Way Things Are<\/h2><br>Juan Pablo Zaramella (JPZ Studio)<\/br>Argentina, 2018, 2'00''<\/br><br><p><p>Everyday objects have their own lives and personalities. This series opens a new universe to the audience that is very similar to the one we know.\r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>\t\r\n<div class=\"vc_row wpb_row vc_row-fluid\">\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\">\r\n\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t\t<div class=\"wpb_single_image wpb_content_element vc_align_center\">\r\n\t\t\r\n\t\t\t\t\t<figure class=\"wpb_wrapper vc_figure\">\r\n\t\t\t\t\t\t<div class=\"vc_single_image-wrapper   vc_box_border_grey\"><img class=\"vc_single_image-img\" src=\"https:\/\/animateka.filmchief.com\/f\/files\/11viajeAmarte.jpg\"><\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t<div class=\"wpb_column vc_column_container vc_col-sm-6\">\r\n\t\t<div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\r\n\t\t\t<div class=\"wpb_text_column wpb_content_element \">\r\n\t\t\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<h2>Potovanje na Mars \/ Journey to Mars<\/h2><br>Juan Pablo Zaramella (JPZ Studio)<\/br>Argentina, 2004, 16'08''<\/br><br><p><p>In the mid 60's, Antonio is 5 years old. He is fascinated by a TV serial about Mars, and one day he tells his grandfather that he would love to travel to Mars when he grows up. To his amazement, his grandfather offers to take him there with his tow truck. \r\n      <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t<br>\r\n\t<div class=\"vc_col-sm-12 vc_gitem-col vc_gitem-col-align-\"><div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey\"><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\r\n<\/div><\/div><br>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;40px&#8221;][vc_custom_heading source=&#8221;post_title&#8221; font_container=&#8221;tag:h2|text_align:center&#8221; use_theme_fonts=&#8221;yes&#8221; link=&#8221;|||&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Alongside a selection of films by this year\u2019s artist-in-residence Pierre-Luc Granjon, who is joining us from France, the strand features films by the British artist Lizzy Hobbs, Canadian illustrator and animator Mich\u00e8le Lemieux, Argentinian filmmaker Juan Pablo Zaramella, and&nbsp;[&hellip;]<\/p>\n","protected":false},"author":83,"featured_media":26396,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26459"}],"collection":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/comments?post=26459"}],"version-history":[{"count":3,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26459\/revisions"}],"predecessor-version":[{"id":26945,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26459\/revisions\/26945"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media\/26396"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media?parent=26459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}