![](\"https:\/\/animateka.filmchief.com\/f\/files\/TheLastGammon1_1920x1080.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tZadnja gnjat \/ The Last Gammon<\/h2>
Elmaz Ekrem Littlewood (National Film and Television School)<\/br>United Kingdom, 2025, 9'28''<\/br>
Dave is on a mission to find the last gammon in London for his bird's brekkie, and nothing — not even the impending apocalypse — can stop him.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/still3%20%283%29.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tKompost \/ Compost<\/h2>
Luzia De Caro, Ursina Rubin, Vanessa In-Albon (Lucerne School of Design, Film and Art\u200b)<\/br>Switzerland, 2025, 4'58''<\/br>
While Lucy's head is stuck in the compost bin, she has an out-of-body experience that allows her to witness firsthand the ever-changing world of compost.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/NedaIvanovic_Deconstruction_Still_High_04.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tDeconstruction \/ Deconstruction<\/h2>
Neda Ivanovi\u0107 (University of Nova Gorica, School of Arts)<\/br>Slovenia, 2025, 3'09''<\/br>
Through three different perspectives on life (belief in God, disbelief in the existence of meaning, and acceptance), this animation explores the author\u2019s interpretation of a natural path in the human experienc.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/LORSI_002_01_X1_0092.JPG\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tNa\u0161a Gospa Trohnenja \/ Our Lady of Rot<\/h2>
Bibi Erjavec (Academy of Fine Art and Design Ljubljana)<\/br>Slovenia, 2025, 5'08''<\/br>
We find ourselves in a post-apocalyptic world of half-decayed skeletons. Here, flesh itself has become a rarity and possessing any is seen as both a privilege and a responsibility. The very least those of us with working limbs can do is provide those with mouths with enough air to speak for us.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/01_still_Na%20krzywe%20lby.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tPokvarjene glave \/ The Crooked Heads<\/h2>
Jakub Krzyszpin (The Polish National Film, Television and Theatre School in Lodz)<\/br>Poland, 2025, 8'25''<\/br>
A forgotten Polish neighbourhood drowns in the haze of coal mine smoke. A young man shaves his head, dons a tracksuit, and faces his brother's shadow and the weight of his past.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/ga%C3%AFa_still_01.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tGa\u00efa \/ Ga\u00efa<\/h2>
Gwenola Heck (Filmakademie Baden-W\u00fcrttemberg)<\/br>Germany, 2025, 4'08''<\/br>
Ga\u00efa is a planet whose body is inhabited by people. Once the body's resources start to diminish, they try to impregnate her egg cell in order to create a new habitat.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Tide_Still_2.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tKo pride plima \/ When The Tide Comes<\/h2>
F\u00eat-Nat Bailly (National Film and Television School)<\/br>United Kingdom, 2025, 10'29''<\/br>
Within the dunes, a sand creature and a baby sea turtle meet by a sudden turn of events. Together they will journey to the ocean where they will both learn what it is to be a part of their world.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/still4_less.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tKrave \/ Cows<\/h2>
Alina Sivets (Ladislav Sutnar Faculty of Design and Art, University of West Bohemia)<\/br>Czech Republic, 2025, 1'10''<\/br>
The cows are grazing and enjoying the taste of fresh grass when suddenly, unknown giant hands pick them up from the meadow…\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/TheUndyingPainofExistence_Still001%40FilmakademieBaWu%CC%88.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tThe Undying Pain of Existence \/ The Undying Pain of Existence<\/h2>
Oscar Jacobson (Filmakademie Baden-W\u00fcrttemberg)<\/br>Germany, 2025, 5'20''<\/br>
A nude model is posing with statuesque stillness for an elite drawing class \u2013 until an unfortunate mosquito bite challenges his self-control. Driven to madness by the itch, he\u2019s caught between the ruthless demand for perfection and his most unhinged, animalistic impulses.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Filmstill1-frames.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tFrames \/ Frames<\/h2>
Theresa Sellmann (Lucerne School of Design, Film and Art\u200b)<\/br>Switzerland, 2025, 3'30''<\/br>
Carried by an inner flow of colour, the figure moves through layered frames that reshape the environment. Overlapping sheets of paper create a dynamic, ever-shifting space where it encounters itself and becomes aware of existing on different levels.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Better_Man3300.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tBolj\u0161i \u010dlovek \/ Better Man<\/h2>
Eli\u0161ka Jir\u00e1skov\u00e1 (Academy of Performing Arts in Prague, Film and TV School)<\/br>Czech Republic, 2025, 6'11''<\/br>
Better Man<\/i> is an animated documentary that explores the phenomenon of bodybuilding and examines the relationship fitness-oriented men have with their own bodies. Through interviews inspired by journalistic techniques, the film presents the stories of three men who use exercise as a way to cope with inner traumas that have often resulted in low self-esteem.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t [vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]A competition strand reserved for students of European universities. They are in the running for the Young Talent: Student Jury Award, presented jointly by the School of Arts (University of Nova Gorica), as well as the Academy of Fine […]<\/p>\n","protected":false},"author":83,"featured_media":26398,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26928"}],"collection":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/comments?post=26928"}],"version-history":[{"count":2,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26928\/revisions"}],"predecessor-version":[{"id":27335,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/pages\/26928\/revisions\/27335"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media\/26398"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2025\/en\/wp-json\/wp\/v2\/media?parent=26928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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