![](\"https:\/\/animateka.filmchief.com\/f\/files\/FilmStill%2012%20Grandpa%20is%20Sleeping%20%281%29.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tDedek spi \/ Grandpa Is Sleeping<\/h2>
Matei Branea (Safe Frame)<\/br>Romania, 2025, 13'00''<\/br>
Six-year-old Alma won\u2019t accept her Grandpa\u2019s endless sleep, so she takes him out for one last adventure together.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Rita_1.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tRita \/ Rita<\/h2>
Francesca Colombara (CIANG studio)<\/br>Italy, 2024, 4'13''<\/br>
Rita was my grandmother, a big snail who got around with a walker. She passed away in 2024, and this short film tells the story of our bond. It is about Rita, but it is also a way to confront the theme of death, to look it in the eye and overcome the fear it brings.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Disturbia_02.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tDisturbia \/ Disturbia<\/h2>
Mira Yankova (Frame Productions)<\/br>Bulgaria, 2024, 6'23''<\/br>
Before our very eyes a strange human-bird hybrid undergoes constant transformation to cope with the omnipresent tensions of economical, ideological, military, and climatic threats.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/still%201%20%281%29.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tOne Light Left On \/ One Light Left On<\/h2>
Diyala Muir (neodvisni)<\/br>Cyprus, 2024, 2'54''<\/br>
A vampire falls in love in the summertime.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/There%20is%20plenty%20of%20fish%20in%20the%20sea%20%281%29.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tV morju je \u0161e dosti rib \/ There Is Plenty of Fish in the Sea<\/h2>
Joanna Szlembarska (Likaon)<\/br>Poland, 2025, 10'10''<\/br>
With an unusual companion, the girl faces loneliness, relationships, and family expectations.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Rumene%20zore%20_%20Davorin%20Marc%20%20%20%20%284%29.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t. . . . Rumene zore \/ . . . . Yellow Dawn<\/h2>
Davorin Marc (neodvisni)<\/br>Slovenia, 2024, 3'00''<\/br>
Yellow mornings.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/still_05.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\u017diva \/ \u017diva<\/h2>
Tamara Maksimovi\u0107 (Aeon production)<\/br>Bosnia and Herzegovina, 2024, 6'30''<\/br>
\u017diva is a poetic exploration of inner struggle and liberation. Trapped by the oppressive green threads, \u017diva\u2019s body and spirit begin to dissolve. From the red world, her unconscious, she draws strength and reclaims her freedom, breaking the bonds that hold her.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Proc%20se%20me%20nedotykas_00002.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tZakaj se me ne dotakne\u0161? \/ Why Don't You Touch Me?<\/h2>
Eliska Oz (Kouzelna animace)<\/br>Czech Republic, 2025, 6'17''<\/br>
Inventively crafted and emotionally compelling, the short film explores the dilemma of a young woman trying to reconcile her identity as both a creator and a mother.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/IDYLL_4.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tIdila \/ Idyll<\/h2>
Rao Heidmets (Rao Heidmetsa Filmistuudio)<\/br>Estonia, 2025, 10'00''<\/br>
Fight against war long before it reaches your backyard. And when it\u2019s there, drawing the curtains won\u2019t help anymore.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/still_wolfmaam.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tThe Wolf Ma'am \/ The Wolf Ma'am<\/h2>
Nicolas Mahler, Stefan Holaus (Langfilm)<\/br>Switzerland, 2025, 1'00''<\/br>
One minute that will make your skin crawl.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/The_Synthetic_Age_1.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tThe Synthetic Age \/ The Synthetic Age<\/h2>
Dimitris Armenakis (Frenel)<\/br>Greece, 2025, 7'39''<\/br>
In a world where cartoon characters have become food for humans, a cartoon hunting dog reunites with his old toon friends to escape the city.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/Ostrich_still_01.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tOstrich \/ Ostrich<\/h2>
Marie Kenov (YK Animation Studio)<\/br>Switzerland, 2025, 8'33''<\/br>
In awe of the ostriches, with their long necks, dazzling eyes and muscular legs, a sparrow wants to be just like them. By hitting the gym, following make-up tutorials, and paying several visits to the neck stretching studio, the little bird comes very close to achieving its goal.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
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