![](\"https:\/\/animateka.filmchief.com\/f\/files\/Stop_still_001.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tStop! \/ Stop!<\/h2>
Brina Fekonja (University of Nova Gorica, School of Arts)<\/br>Slovenija, 2025, 2'20''<\/br>
Za izhodi\u0161\u010de svojega dela sem vzela sliko Marlene Dumas The Painter<\/i>. V\u010dasih moje misli brnijo. Fizi\u010dni akt ustvarjanja lahko prazni um in mi pomaga utelesiti se. \u017dal se realnost s tem ne spremeni.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Ostra migetajo\u010da svetloba povezuje utopi\u010dna simboli\u010dna igri\u0161\u010da iz spominov.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Ma\u010dka pobegne, rodi se neurje … Oblike migetajo, se kri\u017eajo in me\u0161ajo.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Kratki film upodobi preobrazbo \u00bbpi\u0161\u010danca\u00ab v \u00bbslona\u00ab: animacija to omogo\u010da prav zato, ker pretvarja podobe v koncepte. Film z eksperimentalnim sodelovalnim pristopom vzbudi vizualni dialog med podobami, koncepti in intersubjektivnostjo.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Prvinsko in \u010dustveno popotovanje skozi silovito mo\u010d in krhko lepoto narave, v kateri dve \u017eenski, ki poosebljata vodo in zemljo, uprizarjata neskon\u010den ples. Druga drugo i\u0161\u010deta v \u010darobni hi\u0161i, ki ponazarja ve\u010dni in ve\u010dno spremenljivi duh narave. \r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t V globinah Pirandellovih rudnikov \u017evepla se za\u010dne sanjsko popotovanje v oddaljene koti\u010dke \u010dlove\u0161ke du\u0161e. Skrivnostna Sicilija, ki jo naseljujejo \u017eivalski, \u010dlove\u0161ki in naravni duhovi ter pripro\u0161nje prednikov, ume\u0161\u010dena na mejo med podobo in resni\u010dnostjo.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t La\u010dno bitje v praznini no\u010di i\u0161\u010de hrano in ohranja vsakdanji cikel.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Tri so\u0161olke si na \u0161olskem izletu v Italiji delijo sobo v samostanu.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t V animiranem dokumentarcu prisluhnemo dekletu, ki se soo\u010da z objektivizacijo. Kola\u017ei podob iz revij, dnevni\u0161kih skic in odtisov na ko\u017ei razkrivajo, kako zgodaj se \u017ee za\u010dne dru\u017ebeni pritisk. Kje se kon\u010da nedol\u017enost in kje za\u010dnejo pripombe, ki lahko privedejo do spolnega nasilja?\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Zgodbe in molk mater se pogosto prena\u0161ajo iz generacije v generacijo.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Ob obisku \u017eivalskega vrta se nam pogled ustavi na zadnjih obrisih in zgodbah, ki \u0161e naseljujejo ta kraj.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t Na videz ne\u0161kodljiva potegav\u0161\u010dina se spremeni v noro no\u010dno moro s pajki.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t [vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Tekmovalni program, rezerviran za \u0161tudentke in \u0161tudente evropskih univerz. Ti se s svojimi filmi potegujejo za nagrado \u0161tudentske \u017eirije mladi talent, ki jo podeljujejo Akademija umetnosti Univerze v Novi Gorici, Akademija za likovno umetnost in oblikovanje Univerze v Ljubljani […]<\/p>\n","protected":false},"author":83,"featured_media":26383,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages\/26421"}],"collection":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/comments?post=26421"}],"version-history":[{"count":6,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages\/26421\/revisions"}],"predecessor-version":[{"id":27320,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages\/26421\/revisions\/27320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/media\/26383"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/media?parent=26421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/Lights%2C%20Haze_Tata%20Managadze_still01.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tRazpr\u0161ena svetloba \/ Lights, Haze<\/h2>
Tata Managadze (RE:Anima European Joint Master in Animation)<\/br>Gruzija, Portugalska, Finska, Belgija, 2025, 8'04''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/das_schwirrgewirr_still03.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tfrfolobocija \/ whirlwild<\/h2>
Stella Hood, Mascha Balura, G\u00fclberk Elif Bosgelmez (Kunsthochschule Kassel)<\/br>Nem\u010dija, 2025, 1'08''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/01_TamingPhenomena.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tTaming Phenomena \/ Taming Phenomena<\/h2>
Shunyuan Yao (Estonian Academy of Arts)<\/br>Estonija, 2025, 9'56''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/%2811%29.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tMateri Zemlje \/ Earth Mothers<\/h2>
Anna Giulia Pricoco (ISIA Urbino)<\/br>Italija, 2025, 3'22''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/frame%201.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tTam je bila luna! \/ There was the Moon!<\/h2>
Simone Caramazza (Accademia di Belle Arti di Palermo)<\/br>Italija, 2025, 3'03''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/M%C3%83E%20DA%20MANH%C3%83_FINAL_2K-00_02_42_00-Quadro001%20%281%29.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tMati zore \/ Mother of Dawn<\/h2>
Clara Trevisan (RE:Anima European Joint Master in Animation)<\/br>Portugalska, Belgija, Finska, Brazilija, 2025, 8'09''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/JugementDernier_LittleSaints%281%29.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tPoslednja sodba \/ Little Saints<\/h2>
Cl\u00e9mence Taveau (La Poudri\u00e8re)<\/br>Francija, 2025, 4'07''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/motylova10.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tdroben film o posilstvu \/ tiny film about rape<\/h2>
Nebe Mot\u00fdlov\u00e1 (Academy of Performing Arts in Prague, Film and TV School)<\/br>\u010ce\u0161ka republika, 2025, 9'09''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/LesFramboisesBlanches_WhiteRaspberries%20%282%29.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tBele maline \/ White Raspberries<\/h2>
Isidora Vuli\u0107 (La Poudri\u00e8re)<\/br>Francija, 2025, 3'57''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/v01.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tZootrope \/ Zootrope<\/h2>
Lena Martinez (Ecole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs, Animation)<\/br>Francija, 2025, 7'47''<\/br>
\r\n\t![](\"https:\/\/animateka.filmchief.com\/f\/files\/MelitaSandrin_Arahnofobija_Still_02_High.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\tArahnofobija \/ Arachnophobia<\/h2>
Melita Sandrin (University of Nova Gorica, School of Arts)<\/br>Slovenija, 2025, 2'49''<\/br>
\r\n\t