{"id":26451,"date":"2025-11-10T14:55:42","date_gmt":"2025-11-10T13:55:42","guid":{"rendered":"https:\/\/www.animateka.si\/2025\/?page_id=26451"},"modified":"2025-11-14T11:18:35","modified_gmt":"2025-11-14T10:18:35","slug":"ziri-bonboni-i","status":"publish","type":"page","link":"https:\/\/www.animateka.si\/2025\/ziri-bonboni-i\/","title":{"rendered":"\u017diri bonboni I"},"content":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Kitajske avtorice v \u017eari\u0161\u010du \u2013 izbor pekin\u0161kega festivala Feinaki<\/strong><\/p>\n

Kuratorica programa: Yantong Zhu (direktorica festivala Pekin\u0161ki teden animiranega filma Feinaki)<\/p>\n

Pregled produkcije kitajskega avtorskega animiranega filma v zadnjem desetletju poka\u017ee vztrajno nara\u0161\u010danje \u0161tevila re\u017eiserk. Animirani film \u010dedalje bolj postaja medij izra\u017eanja tudi za \u017eenske. V tem programu je osem filmov, ki so jih re\u017eirale \u017eenske in smo jih izbrali izmed nagrajenih del preteklih izdaj Pekin\u0161kega tedna animiranega filma Feinaki. Filmi ponujajo vpogled v do\u017eivljanje in razmi\u0161ljanje \u017eensk na Kitajskem.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Dol\u017eina: 70′[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_btn title=”Slovenska kinoteka, 5\/12 ob 15:00″ style=”classic” shape=”square” color=”black” size=”sm” align=”right” link=”|||”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\t\r\n

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\u0160\u010durek s \u010dlove\u0161kim obrazom \/ Cockroach with Human Faces<\/h2>
Yinxue Li (Academy of Arts & Design, Tsinghua University)<\/br>Kitajska, 2024, 7'10''<\/br>

Avtori\u010din \u0161tudijski projekt govori o protagonistki, ki polomi noge srhljivemu \u0161\u010durku s \u010dlove\u0161kim obrazom, zato jo zajame razjarjena mno\u017eica, da bi jo na velikem festivalu, kakr\u0161nega v tej opusteli vasi \u0161e ni bilo, \u017ertvovala novemu bogu.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Kite \/ Braided<\/h2>
Chenxi Zhang (California Institute of the Arts)<\/br>Zdru\u017eene dr\u017eave Amerike, Kitajska, 2023, 6'19''<\/br>

Mama mi je vedno spletla lase tako tesno, da se mi je po glavi zarisala razlo\u010dna proga. Nekega dne je skrbno spletene lase preprosto odrezala. Med potovanjem s prstom po progi sem za\u010dutila najino neuni\u010dljivo vez in pot \u017eenskega zorenja, na katero nobena od naju ni bila pripravljena. \r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Pol jabolka \/ Half of an Apple<\/h2>
Xiaolin Zhou (Tama Art University)<\/br>Japonska, 2020, 4'19''<\/br>

Neko dolgo\u010dasno decembrsko popoldne je ata medved opral jabolko in ga razrezal na pol. Polovico zame in drugo polovico za mojo sestro dvoj\u010dico. A jabolko nobeni od naju ni bilo v\u0161e\u010d, saj je imelo vonj po kuhinjskem no\u017eu.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Njene besede \/ Words of Her<\/h2>
Charlene Xu (University of Southern California, School of Cinematic Arts)<\/br>Zdru\u017eene dr\u017eave Amerike, Kitajska, 2024, 9'30''<\/br>

Samogovor \u017eenske v stiski. \u017denska se za kratek \u010das vrne v svoje mesto. Misli in telo ji kot de\u017eevna doba preplavljajo nerazlo\u017eljivi mu\u010dni ob\u010dutki, zato se potopi v trstje, ki ji raste v ranah na prstu. Film govori o spremenljivem odnosu mlade \u017eenske do seksa in materinstva v lu\u010di njenega kaoti\u010dnega dojemanja \u010dasa.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Gore\u010da soba \/ Burning Room<\/h2>
Xinyi Huang (Communication University of China)<\/br>Kitajska, 2024, 4'47''<\/br>

Mati in h\u010di, ki \u017eivita v isti sobi, med prepirom zanetita po\u017ear in se naposled spravita.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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\u0160ivanje ljubezni \/ Sewing Love<\/h2>
Yuan Xu (Tama Art University)<\/br>Japonska, 2023, 8'36''<\/br>

Film govori o dveh posameznikih z mo\u010dnim zna\u010dajem, ki ju sebi\u010dna posesivnost nazadnje pogubi.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Poroka na kraju usmrtitve \/ Wedding on the Execution Ground<\/h2>
Zilai Feng (University of Southern California, School of Cinematic Arts)<\/br>Zdru\u017eene dr\u017eave Amerike, Kitajska, 2023, 13'25''<\/br>

Upokojena igralka iz kitajske propagandne predstave Poroka na kraju usmrtitve<\/i> iz 60. let se po \u0161tiridesetih letih odlo\u010di ponovno sre\u010dati s svojo prvo ljubeznijo, glavnim igralcem iz te predstave.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Votlina \/ Sliver Cave<\/h2>
Caibei Cai (Dongyu Culture Media)<\/br>Kitajska, 2022, 14'24''<\/br>

Ob vstopu v jamo prizor ob soju ognja miglja pred o\u010dmi. Od leve proti desni, od vrha do tal. Enako velja za platno pred vami. To je brezmejni predor, ki ponazarja ukrotitev in \u017eeljo.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Kitajske avtorice v \u017eari\u0161\u010du \u2013 izbor pekin\u0161kega festivala Feinaki Kuratorica programa: Yantong Zhu (direktorica festivala Pekin\u0161ki teden animiranega filma Feinaki) Pregled produkcije kitajskega avtorskega animiranega filma v zadnjem desetletju poka\u017ee vztrajno nara\u0161\u010danje \u0161tevila re\u017eiserk. Animirani film \u010dedalje bolj postaja […]<\/p>\n","protected":false},"author":83,"featured_media":26381,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages\/26451"}],"collection":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/comments?post=26451"}],"version-history":[{"count":3,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages\/26451\/revisions"}],"predecessor-version":[{"id":27230,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/pages\/26451\/revisions\/27230"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/media\/26381"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2025\/wp-json\/wp\/v2\/media?parent=26451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}