/ I Felt Like Destroying Something Beautiful

Katrin Jucker (Lucerne University of Applied Sciences and Arts)
Switzerland, 2015, 3'00''

Image codes and their variations: An experiment in databending. Images morph through sound and text files and back into images.

/ The Impossible Mission

Nicolas Gebbe ()
Germany, 2025, 3'00''

Two retrogaming special agents go on a quite impossible mission to retrieve a CD-ROM on a space station in Earth’s orbit.

/ The Amazing Adventures of Not So Special People from Outer Space

Katarzyna Miechowicz (Polish National Film, Television and Theatre School in Łódź)
Poland, 2018, 6'38''

Surreal adventures of three superheroes – Professor Stick, LP and Alien-Girl. The animation is a tribute to the 60's and 70’s cartoons.

/ Larr

Takeshi Murata, Christopher Rutledge (Murata Studio)
United States, 2023, 3'45''

A dog loses grasp of its shape and time while balling like Shaq.

/ The Right to Be Forgotten

Tue Sanggaard (Late Love Production)
Denmark, 2025, 10'55''

Deep underground, embedded in old muddy rock, the oracle is waiting. A big bright square tells the story of our present on repeat. Slowly it descends over small motionless people stuck in the middle of a world consuming itself. How do you want to be forgotten?

/ When The Mountains Shook

Daiyu Li (Tokyo University of the Arts)
Japan, 2025, 2'24''

The world that appears calm on the surface is, in fact, quietly changing. One day, a man as unshakable as a mountain fell because of a toothache.

/ I Live in the Woods

Max Winston (California Institute of the Arts)
United States, 2008, 3'25''

A Woodsman's frantic journey, driven by happiness, slaughter and a confrontation with America's God.

/ Finding Uranus

Ivan Li (Emily Carr University of Art + Design)
Canada, Hong Kong, , 7'00''

A coming-of-age sci-fi film about lost and found.

/ The Undying Pain of Existence

Oscar Jacobson (Filmakademie Baden-Württemberg)
Germany, , 5'00''

A nude model poses with statuesque stillness for a drawing class until an unfortunate mosquito bite puts his self-control to the test. Driven mad by the itch, he is caught between the ruthless demand for perfection and his most unhinged, animalistic impulses.

/ Los Viejos: Drop Al Infierno

Esteban Azuela (Línea 2 Production)
Mexico, 2021, 3'23''

Flat earthers and skaters abduct a Mexican version of the yellow family in a trash grind rhythm.

/ Ivan’s Need

Veronica L. Montaño, Manuela Leuenberger, Lukas Suter (Lucerne University of Applied Sciences and Arts)
Switzerland, 2015, 6'20''

Ivan is obsessed with the incredible softness of the dough. When kneading, he gets lost in intensive daydreams, not accepting that sooner or later the master baker will turn every wonderfully elastic dough into horribly crispy bread. Until he sees Alva’s looooong breasts.