{"id":26514,"date":"2025-11-10T15:05:58","date_gmt":"2025-11-10T14:05:58","guid":{"rendered":"https:\/\/www.animateka.si\/2026\/?page_id=26514"},"modified":"2026-11-09T05:13:46","modified_gmt":"2026-11-09T04:13:46","slug":"student-panorama-i","status":"publish","type":"page","link":"https:\/\/www.animateka.si\/2026\/en\/student-panorama-i\/","title":{"rendered":"Student Panorama I"},"content":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Students are the future of animation. They are also the most innovative, daring filmmakers, not afraid to experiment with techniques and topics. The strand explores the creative diversity of European animation students.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Length: 75′[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_btn title=”Slovenska kinoteka, 30\/11 at 21:00″ style=”classic” shape=”square” color=”black” size=”sm” align=”right” link=”|||”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\t\r\n

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Najmanj\u0161e stvari \/ The Smallest Things<\/h2>
Salome Hernandez, L\u00e9a Peron, Ad\u00e8le Racy, Sigrid Ruault, Emma Zaguedoun (EMCA_Ecole des M\u00e9tiers du Cin\u00e9ma d'Animation)<\/br>France, 2026, 3'24''<\/br>

Madame Avril has a garden, and when she reflects, the garden expands and a poetic and contemplative journey begins. From the flowers that fill her garden to the mountains that surround it, every little thing is a source of wonder for Madame Avril. Her walk reminds us of the smallness of her humanity in the face of nature\u2019s immensity.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Truma \/ Horde<\/h2>
Janina Ksieska (Animated Film Studio, Jan Matejko Academy of Fine Arts)<\/br>Poland, 2026, 7'23''<\/br>

A crowd of people under the influence of the alluring rhythm feels a sudden urge to come to a mysterious tower standing in a middle of nowhere. Inside, they are unable to stop moving, jumping or dancing. Unaware, they are performing a ritual arranged by a creature spinning on<\/p>

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The Body and Its Stories \/ The Body and Its Stories<\/h2>
Mihaela Pounova (New Bulgarian University)<\/br>Bulgaria, 2026, 1'26''<\/br>

A diary-form monologue that focuses on the topics of the female body and its experiences, memories, or so-called stories. Based on the photographs of Francesca Woodman, its intention is of representing a feeling rather than a narrative.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Agathe mora oditi \/ Agathe Must Go<\/h2>
Dylan Hall, Maya Matar (Atelier de S\u00e8vres)<\/br>France, 2026, 8'52''<\/br>

Agathe, aged 90, lives as a recluse in a snow-covered cabin. Frede, her daughter, visits her with the intention of bringing her closer to her in a nursing home in town. But between the disembowelled fox on the doorstep and her mother's disturbing behaviour, the visit takes a different turn.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Ples duhov \/ Dance of the Spirits<\/h2>
Andreea-Lorena Florea (National Film and Television School)<\/br>United Kingdom, 2026, 5'47''<\/br>

Matei, a young shepherd boy living in the outskirts of Romania, finds more comfort among his sheep than with his abusive, alcoholic dad. But now Matei is starting to mimic his father\u2019s violence, he\u2019s faced with a question: \u2018Who am I?\u2019<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Nekaj je v mleku \/ There's Something in the Milk<\/h2>
Cliona Noonan (La Poudri\u00e8re)<\/br>France, 2026, 4'06''<\/br>

On a small farm somewhere in Ireland, Oona spends her days milking cows with her mother, who seems to think more about her cows and their milk than her own daughter.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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BBQ \/ BBQ<\/h2>
Vojta Haken (Ladislav Sutnar Faculty of Design and Art, University of West Bohemia)<\/br>Czech Republic, 2026, 4'13''<\/br>

Chill vibes at the barbecue. Problems will arise, but there\u2019s no need to worry, because in the end, we\u2019ll be chilling at the barbecue again.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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V juhi mojih misli \/ Below the Soup<\/h2>
Andr\u00e9 Correia (Filmuniversit\u00e4t Babelsberg Konrad Wolf)<\/br>Germany, 2026, 5'41''<\/br>

While taking a bath, Noah is visited by different versions of himself, each one taking him further and further away from reality until he nearly drowns inside the soup of his mind.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Funny Snails 2 \/ Funny Snails 2<\/h2>
Dragana Stankovi\u0107 (University of Nova Gorica, School of Arts)<\/br>Slovenia, 2026, 3'56''<\/br>

Funny Snails<\/i> is an animated series about social problems and \r\nstereotypes. The main characters are six snails. Each of them represents\r\n a specific social group and the stereotypes characteristic of that \r\ngroup. They talk about different topics, from cleaning the house to \r\nwomen\u2019s rights. <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Gora smrti \/ Death\u2019s Peak<\/h2>
Willy Fair (National Film and Television School)<\/br>United Kingdom, 2026, 9'00''<\/br>

Desperate for connection, David digs up his brother\u2019s corpse. With their trusty red wagon, they ascend a treacherous mountain in pursuit of their childhood dream.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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\u017dve\u010dilka \/ Chewing Gum<\/h2>
Ane\u017eka Beranov\u00e1 (Film and TV School of Academy of Performing Arts in Prague (FAMU))<\/br>Czech Republic, 2026, 1'48''<\/br>

Short animated film about a chewing gum terrified of the moment someone finally chews it. But once it happens, the unpleasant experience unexpectedly turns into pleasure, gradually becoming an obsession with being chewed again and again.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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TAUT \/ TAUT<\/h2>
Ilya Barrett (Filmakademie Baden-W\u00fcrttemberg)<\/br>Germany, 2026, 5'44''<\/br>

Stringo is a peaceful, plant-like being. A strange and brutal creature attacks Stringo and takes him away. To survive, he\u2019s forced to fight back. Stringo escapes, but the damage is done. He returns home, only to realize he no longer belongs. Now cut off from his past, he faces a new kind of freedom.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Tumult \/ Tumult<\/h2>
Anja Pirtov\u0161ek (Academy of Theatre, Radio, Film and Television Ljubljana)<\/br>Slovenia, 2026, 2'26''<\/br>

tumult noun (formal) a loud, confused noise; a state of disorder or confusion.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Tina \/ Tina<\/h2>
Eliana Fern\u00e1ndez (Institut Valenci\u00e0 de Cultura)<\/br>Spain, 2026, 5'42''<\/br>

A depressed young woman adopts a dog hoping it will save her, but the dog is even worse off than she is, and the relationship doesn\u2019t work out.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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The Taste of Pineapple Bread \/ The Taste of Pineapple Bread<\/h2>
Manfei Li (HSLU Lucerne School of Design, Film and Art)<\/br>Switzerland, 2026, 10'24''<\/br>

Mei can't attend the funeral of her beloved grandfather due to travel restrictions. She uses an online map to virtually roam the streets of Hong Kong, looking for traces of his life. When she suddenly finds <\/p>

herself inside the world of the map, an unconventional way of saying goodbye presents itself.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Students are the future of animation. They are also the most innovative, daring filmmakers, not afraid to experiment with techniques and topics. The strand explores the creative diversity of European animation students.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Length: 75′[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_btn title=”Slovenska kinoteka, 30\/11 at […]<\/p>\n","protected":false},"author":83,"featured_media":26398,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages\/26514"}],"collection":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/comments?post=26514"}],"version-history":[{"count":4,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages\/26514\/revisions"}],"predecessor-version":[{"id":28677,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages\/26514\/revisions\/28677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/media\/26398"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/media?parent=26514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}