{"id":26539,"date":"2025-11-10T15:11:27","date_gmt":"2025-11-10T14:11:27","guid":{"rendered":"https:\/\/www.animateka.si\/2026\/?page_id=26539"},"modified":"2026-11-09T05:18:47","modified_gmt":"2026-11-09T04:18:47","slug":"retrospektiva-i","status":"publish","type":"page","link":"https:\/\/www.animateka.si\/2026\/en\/retrospektiva-i\/","title":{"rendered":"Queerness in Animated Film I: Historical"},"content":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Queer Animation overview<\/strong><\/p>\n

Queer was once used as a slur, and there are still those who consider queer people deranged and would do anything to restrict our existence. But we have been reclaiming the word queer for years, turning it into a symbol of resistance. We are still here. We are queer. And we aren\u2019t going anywhere.<\/p>\n

This retrospective carries that spirit forward by exploring queer animation. We aimed to bring together a diverse selection of films by LGBTQ+ filmmakers, films telling LGBTQ+ stories, and works that challenge traditional notions of gender, sexuality, and identity.<\/p>\n

The retrospective unfolds across three themes: History, Pride, and Genderfuck. The first programme explores the evolution of queer animated worlds. The second is about the struggles and pleasures of becoming oneself. The last explores the endless possibilities of existing beyond binaries.<\/p>\n

The retrospective also features Rainbows After Dark<\/em>, a special midnight screening curated by Kate Jessop. This wild ride through sex positivity, club culture, and family relationships brings a colourful mix of flamboyance and filth to the more adult side of queer experience. Expect mystic lesbians, broken pipes and Howard Stern!<\/p>\n

And perhaps animation itself has always been queer in spirit: weird, different, fluid, and shapeshifting. A third gender of its own. Unafraid to experiment, to deconstruct, to transform. To go beyond what is considered possible. This ability feels more important than ever in the face of today’s oppression and rising fascism. And if anyone thinks none of this concerns them, they are mistaken.<\/p>\n

No one is free until everyone is free.
\n– Jakub Spev\u00e1k and Kate Jessop<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Dol\u017eina: 88′[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_btn title=”SLOVENIAN CINEMATHEQUE, 1\/12 at 17:00″ style=”classic” shape=”square” color=”black” size=”sm” align=”right” link=”|||”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\t\r\n

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Kvir junaki_nje \/ Queer Heroes<\/h2>
Kate Jessop (Animation Girl Band)<\/br>Zdru\u017eeno kraljestvo, 2016, 5'00''<\/br>

Poklon kvirovskim osebnostim iz zgodovine in sedanjosti, ki so pripomogle k premikanju mej v umetnosti, politiki in znanosti. Film, ki je nastal v sodelovanju 14 animatork in animatorjev, po strukturi temelji na risarski igri \u00bbizvrstno truplo\u00ab (cadavre exquis<\/i>), ki je bila priljubljena med nadrealisti\u010dnimi umetniki.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Narcis \/ Narcissus<\/h2>
Norman McLaren (National Film Board of Canada)<\/br>Kanada, 1983, 21'00''<\/br>

Plesalci iz izrazito homoeroti\u010dne, kvirovske perspektive uprizorijo gr\u0161ki mit o Narcisu, \u010dudovitem mladeni\u010du, ki se je ujel v pretirano samoljubje. Film, ki spretno zdru\u017euje ples in glasbo, je prava zakladnica tehnik, ki jih je Norman McLaren usvojil na svoji \u017eivljenjski poti ustvarjalnega eksperimentiranja.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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\u017divljenje je roza \/ Happy & Gay<\/h2>
Lorelei Pepi (neodvisni)<\/br>Zdru\u017eene dr\u017eave Amerike, 2014, 11'00''<\/br>

Revizionisti\u010den zgodovinski dokument, ki se naslanja na klasi\u010dne risane muzikale iz 30. let 20. stoletja. S pozitivno reprezentacijo gejevskih in lezbi\u010dnih likov v zgodbi se odziva na cenzuro, predsodke in stereotipe zgodnjega obdobja animacije. <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Adam \/ Adam<\/h2>
Andrea Stoops (neodvisni)<\/br>Zdru\u017eene dr\u017eave Amerike, 1996, 3'37''<\/br>

V tem ne\u017enem kratkem filmu v tehniki animacije gline deklico zamenjajo za fanta, ona pa prilo\u017enost s pridom izkoristi. Film, ki osvetli nedol\u017enost prvih spolnih izku\u0161enj in fluidnost spolne identitete, prina\u0161a o\u010darljiv spomin na otro\u0161tvo.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Moj o\u010de svetnik \/ The Saint of Dry Creek<\/h2>
Julie Zammarchi (StoryCorps Studio)<\/br>Zdru\u017eene dr\u017eave Amerike, , 4'00''<\/br>

Patrick Haggerty je odra\u0161\u010dal v 50. letih kot sin kmeta v pode\u017eelskem Dry Creeku v ameri\u0161ki zvezni dr\u017eavi Washington. Kot najstnik je za\u010del spoznavati, da je gej, a je mislil, da to dobro skriva. Nekega dne pa je po srednje\u0161olskem nastopu ugotovil, da ga o\u010de pozna veliko bolje, kot si je mislil.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Kapaemahu \/ Kapaemahu<\/h2>
Dean Hamer, Hinaleimoana Wong-Kalu (Kanaka Pakipika, Pacific Islanders in Communications)<\/br>Zdru\u017eene dr\u017eave Amerike, 2020, 8'25''<\/br>

Pred davnimi \u010dasi so \u0161tiri nenavadna bitja, v katerih sta se prepletala mo\u0161ki in \u017eenski duh, s Tahitija na Havaje prinesla zdravilne ve\u0161\u010dine in njihovo mo\u010d vlila v \u0161tiri velike balvane. Skale \u0161e vedno stojijo na pla\u017ei Waikiki, a le malokdo pozna njihovo resni\u010dno zgodbo.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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S \u010dim naj izperem? \/ With What Shall I Wash It?<\/h2>
Mar\u00eda Tr\u00e9nor (Tacatuca)<\/br>\u0160panija, , 10'00''<\/br>

Na ulici rde\u010dih lu\u010di nekega \u0161panskega mesta se dani. Nekdo, ki se pre\u017eivlja v tem okoli\u0161u, pride domov, se usede pred ogledalo in si za\u010dne odstranjevati li\u010dila. Celuloidni poklon homoseksualnim odrskim umetnikom poznih 70. let, tik po padcu Francove diktature.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Greznica svobode \/ Cesspit of Freedom<\/h2>
Oran Rose O'Sullivan (Leeds Arts University)<\/br>Zdru\u017eeno kraljestvo, , 1'42''<\/br>

Nenehno policijsko nadlegovanje priljubljenega gejevskega bara naznani prvo britansko nacionalno parado ponosa zunaj Londona \u2013 zgodi se leta 1981 v sredi\u0161\u010du tekstilne industrije, mestu Huddersfield. Kratki dokumentarni film sestavljajo arhivski intervjuji, animirani s sitotiskom na bomba\u017e.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Guy 101 \/ Guy 101<\/h2>
Ian Gouldstone (Royal College of Art)<\/br>Zdru\u017eeno kraljestvo, 2005, 8'30''<\/br>

Mo\u0161ki na spletu sli\u0161i zgodbo o nekem \u0161toparju.<\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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Kabuki \/ Kabuki<\/h2>
Tiago Minamisawa (WAG PRODUCTIONS, AMOPIX, Minimisawa Films)<\/br>Brazilija, Francija, , 14'38''<\/br>

Kabuki biva v mo\u0161kem telesu, ki ga ne prepozna kot svojega. V iskanju identitete prebudi svojo du\u0161o. Hrani se s svetom in se dvigne nad minljivo snovno telo. Animirani film poeti\u010dno prika\u017ee spoznanja in \u017eivljenjske preobrazbe transspolnega lika Kabukija.<\/em><\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css=”.vc_custom_1604469580079{margin-right: 5px !important;margin-left: 5px !important;}”][vc_column][vc_empty_space height=”40px”][vc_custom_heading source=”post_title” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_empty_space height=”20px”][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Queer Animation overview Queer was once used as a slur, and there are still those who consider queer people deranged and would do anything to restrict our existence. But we have been reclaiming the word queer for years, turning […]<\/p>\n","protected":false},"author":83,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template_page-builder.php","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages\/26539"}],"collection":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/comments?post=26539"}],"version-history":[{"count":5,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages\/26539\/revisions"}],"predecessor-version":[{"id":28685,"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/pages\/26539\/revisions\/28685"}],"wp:attachment":[{"href":"https:\/\/www.animateka.si\/2026\/en\/wp-json\/wp\/v2\/media?parent=26539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}