![](\"https:\/\/animateka.filmchief.com\/f\/files\/01_iFeltLikeDestroying.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ I Felt Like Destroying Something Beautiful<\/h2>
Katrin Jucker (Lucerne University of Applied Sciences and Arts)<\/br>Switzerland, 2015, 3'00''<\/br>
Image codes and their variations: An experiment in databending. Images morph through sound and text files and back into images.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/02_impossibleMission.png\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ The Impossible Mission<\/h2>
Nicolas Gebbe ()<\/br>Germany, 2025, 3'00''<\/br>
Two retrogaming special agents go on a quite impossible mission to retrieve a CD-ROM on a space station in Earth\u2019s orbit.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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\/ The Amazing Adventures of Not So Special People from Outer Space<\/h2>
Katarzyna Miechowicz (Polish National Film, Television and Theatre School in \u0141\u00f3d\u017a)<\/br>Poland, 2018, 6'38''<\/br>
Surreal adventures of three superheroes \u2013 Professor Stick, LP and Alien-Girl. The animation is a tribute to the 60's and 70\u2019s cartoons.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/04_larry_rutledge_murata.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ Larr<\/h2>
Takeshi Murata, Christopher Rutledge (Murata Studio)<\/br>United States, 2023, 3'45''<\/br>
A dog loses grasp of its shape and time while balling like Shaq.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/05_TheRightToBeForgotten-scaled.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ The Right to Be Forgotten<\/h2>
Tue Sanggaard (Late Love Production)<\/br>Denmark, 2025, 10'55''<\/br>
Deep underground, embedded in old muddy rock, the oracle is waiting. A big bright square tells the story of our present on repeat. Slowly it descends over small motionless people stuck in the middle of a world consuming itself. How do you want to be forgotten?\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/06_When-The-Mountains-Shook.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ When The Mountains Shook<\/h2>
Daiyu Li (Tokyo University of the Arts)<\/br>Japan, 2025, 2'24''<\/br>
The world that appears calm on the surface is, in fact, quietly changing. One day, a man as unshakable as a mountain fell because of a toothache.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/07_woodstill06.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ I Live in the Woods<\/h2>
Max Winston (California Institute of the Arts)<\/br>United States, 2008, 3'25''<\/br>
A Woodsman's frantic journey, driven by happiness, slaughter and a confrontation with America's God.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/08_Finding_Uranus_Ivan_Li_02.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ Finding Uranus<\/h2>
Ivan Li (Emily Carr University of Art + Design)<\/br>Canada, Hong Kong, , 7'00''<\/br>
A coming-of-age sci-fi film about lost and found.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/09_the-undying-pain-of-existence_2025.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ The Undying Pain of Existence<\/h2>
Oscar Jacobson (Filmakademie Baden-W\u00fcrttemberg)<\/br>Germany, , 5'00''<\/br>
A nude model poses with statuesque stillness for a drawing class until an unfortunate mosquito bite puts his self-control to the test. Driven mad by the itch, he is caught between the ruthless demand for perfection and his most unhinged, animalistic impulses.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/10_dropAIinferno.jpeg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ Los Viejos: Drop Al Infierno<\/h2>
Esteban Azuela (L\u00ednea 2 Production)<\/br>Mexico, 2021, 3'23''<\/br>
Flat earthers and skaters abduct a Mexican version of the yellow family in a trash grind rhythm.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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![](\"https:\/\/animateka.filmchief.com\/f\/files\/11_ivansNeed.jpg\")
<\/div>\r\n\t\t\t\t\t<\/figure>\r\n\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t \/ Ivan\u2019s Need<\/h2>
Veronica L. Monta\u00f1o, Manuela Leuenberger, Lukas Suter (Lucerne University of Applied Sciences and Arts)<\/br>Switzerland, 2015, 6'20''<\/br>
Ivan is obsessed with the incredible softness of the dough. When kneading, he gets lost in intensive daydreams, not accepting that sooner or later the master baker will turn every wonderfully elastic dough into horribly crispy bread. Until he sees Alva\u2019s looooong breasts.\r\n <\/p> <\/p>\r\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div>\r\n\t
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